![]() ![]() Kennedy's goal, set in 1961, of "landing a man on the Moon and returning him safely to the Earth" by the end of the decade. The ambitious human spaceflight program had been launched in response to President John F. The mission was to carry Grissom, White, and Chaffee into Earth's orbit, allowing them to test out the Apollo launch and flight systems-in particular the Command Service Module-making sure the technology used on the eventual moon landing would be up to the task.Īt this point, the Apollo program was in its sixth year. January 27, 1967, was a Friday, the end of another grueling week ramping up to the Apollo I launch date, mere weeks away: February 21, 1967. He was a husband, and father to three boys. He was a proud member of the team that put the first human on the moon. Rogers was a veteran who served in WWII and the Korean War. He marched forward stoically, the way so many from that generation seemed to do, and continued to work on the Apollo program until its conclusion, in 1975. Rogers's actions that night earned him, and the other men who attempted the rescue, the NASA Medal for Exceptional Bravery, a rare honor given "for exemplary and courageous handling of an emergency by an individual who, independent of personal danger, has acted to prevent the loss of human life." But he never spoke about the fire at home with his family. The severity of that moment has become a footnote in the public consciousness, faded by the decades that have passed and overshadowed by the incredible achievements of the Apollo program that followed.īut for those like Henry Rogers who experienced the tragedy firsthand, the trauma of Januleft scars, and a deep sense of regret that's difficult to capture all these years later. But the sheer horror and emotional intensity of having three colleagues-for many in the program, three close friends-suffocate in a burning capsule while scrambling to save them, hasn't been as well preserved. The legacy of the Apollo fire of 1967 is preserved in history books and lengthy documentaries. Years later, many at NASA believed their deaths were the one thing that saved the program, but in the wake of tragedy, the future of the fledgling Apollo program became uncertain. Though they eventually pried the hatches off, it was too late. Rogers and five other men including Clemmons, put their lives at risk to try to rescue Gus Grissom, Ed White, and Roger Chaffee, the three astronauts trapped inside the burning spacecraft. He had not been trained on how to get the hatches off, but he tried." "Instead he made his way through the smoke and fire and began to help any way he could. ![]() "He could have gotten back on the elevator and escaped to safety, knowing the dangers involved, but he didn't hesitate," the late Stephen Clemmons, a spacecraft mechanical technician who was also there that night, wrote in a 2004 essay. ![]()
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![]() ![]() This same apprehension motivated a muzzle makeover in earlier decades, as muzzling ordinances accelerated. ![]() Muzzle the horse and the cat and the pup, 3 “Muzzle ’Em” captures the exasperation many felt in the vicinity of increased regulation: In 1914, Life published a satirical poem submitted by Bideawee titled “Muzzle ’Em,” dedicated to Health Commissioner Dr. The ASPCA maintained that the benefits did not outweigh the distress foisted upon the muzzled.Īnti-muzzling sentiment was fierce. 2 The Department of Health held that enforcement of muzzling was required to stamp out transmission to humans. In her phenomenal book Mad Dogs and Other New Yorkers, Jessica Wang shows how government responses to rabies outbreaks in New York evolved from the antebellum deployment of a bounty system, which legalized the confiscation and killing of unmuzzled dogs by private individuals, through decades of seismic change as the New York Department of Health faced off with the American Society for the Prevention of Cruelty to Animals over protocol. Rabies pitted Americans against each other. 1 As a result, many Americans (including celebrated editor of The Atlantic William Dean Howells, in his youth) succumbed to a protracted fear of an impending rabid demise for significant portions of their life. The lag time between being bitten and the appearance of hydrophobia usually takes one to three months before vaccination helped people better grasp the parameters around incubation, anticipation of hydrophobia could last indefinitely. Moreover, prior to widespread muzzling and leash law, bad encounters with dogs were quotidian. The fear of water was considered such a dire and telltale condition that rabies went by the name hydrophobia for centuries. Combining encephalitis with spasmodic convulsions and the dehydrating effects of a fear of swallowing water, rabies is a lousy way to die. Reasons for this discrepancy are numerous. Unlike our current predicament, the pandemonium far exceeded the fatality counts. The history of rabies in the nineteenth century is bewildering. In fact, the history of rabies revolves around a little-known breakthrough: prior to widespread vaccination of dogs, it was regulated muzzling that provided the first successful solution to rabies transmission. Journalists have turned to the influenza pandemic of 1918 as a source of face-covering controversy, but there is a deeper precedent. The present pandemic is not the first time Americans have disagreed about the enforcement of face coverings to curb infectious disease. Why have people made mask mandates their primary foe while facing a deadly disease? Is the mask really just another word for a muzzle? Being an expert in nineteenth-century rabies history ( seriously), I feel obliged to venture some answers. However disingenuous the analogy between face masks and muzzles may seem to many, it has exercised demonstrable sway over people’s perceptions and behavior. But the time and lives lost to partisan neglect of health officials’ guidance raise pressing concerns. In response, Tulsa Mayor GT Bynum (who, despite Dart’s data-driven advice, declined to halt the rally) established a face mask ordinance on July 15. Bruce Dart, who warned beforehand that a rally would likely exacerbate regional spread, now reports that his grim forecast is being confirmed. In Tulsa, Oklahoma, the city I call home, where the president held his kickoff 2020 campaign rally on June 20, cases of COVID-19 have spiked dramatically. After months of shrugging off their importance, the president has at last admitted face masks are “good.” Even so, he remains opposed to the idea of a nationwide mandate, the logic being that such a move would be an affront to freedom. Nevertheless, as disputes over mandates carry on, this complaint that face masks are muzzles, guilty of violating free speech, has become a fixture of American political debate over coronavirus response. Bared teeth notwithstanding, commissioners voted to approve the ordinance on July 1. Lucie County Commission in Florida, held to discuss a proposal for a face mask mandate. On June 26, a video began circulating of a man growling “I will not be muzzled like a mad dog” at a special meeting of the St. ![]() ![]() His worshippers chant " Ph'nglui mglw'nafh Cthulhu R'lyeh wgah'nagl fhtagn " ("In his house at R'lyeh, dead Cthulhu waits dreaming"). The short story asserts the premise that, while currently trapped, Cthulhu will eventually return. The imprisoned Cthulhu is apparently the source of constant subconscious anxiety for all mankind, and is also the object of worship, both by many human cults (including some within New Zealand, Greenland, Louisiana, and the Chinese mountains) and by other Lovecraftian monsters (called Deep Ones and Mi-Go ). The short story that first mentions Cthulhu, "The Call of Cthulhu", was published in Weird Tales in 1928, and established the character as a malevolent entity, hibernating within R'lyeh, an underwater city in the South Pacific. Its head is depicted as similar to the entirety of a gigantic octopus, with an unknown number of tentacles surrounding its supposed mouth. Lovecraft describes a statue of Cthulhu as: "A monster of vaguely anthropoid outline, but with an octopus-like head whose face was a mass of feelers, a scaly, rubbery-looking body, prodigious claws on hind and fore feet, and long, narrow wings behind." Ĭthulhu is said to resemble a green octopus, dragon, and a human caricature, hundreds of meters tall, with webbed, human-looking arms and legs and a pair of rudimentary wings on its back. Others use the pronunciation Katulu or Kutulu or / k ə ˈ t uː l uː/. Long after Lovecraft's death, Chaosium stated in the Call of Cthulhu role-playing game: "we say it kuh-THOOL-hu" ( / k ə ˈ θ uː l uː/), even while noting that Lovecraft said it differently. Cthulhu has also been spelled in many other ways, including Tulu, Katulu, and Kutulu. According to Lovecraft, this is merely the closest that the human vocal apparatus can come to reproducing the syllables of an alien language. Joshi points out, however, that Lovecraft gave different pronunciations on different occasions. ![]() The 'u' is about like that in 'full', and the first syllable is not unlike 'klul' in sound, hence the 'h' represents the guttural thickness" yielding something akin to /χ(ə)ʟʊʟˈluː/. Lovecraft transcribed the pronunciation of Cthulhu as Khlûl′-hloo, and said, "the first syllable pronounced gutturally and very thickly. The chthonic, or earth-dwelling, spirit has precedents in numerous ancient and medieval mythologies, often guarding mines and precious underground treasures, notably in the Germanic dwarfs and the Greek Chalybes, Telchines, or Dactyls. ![]() Invented by Lovecraft in 1928, the name Cthulhu was probably chosen to echo the word chthonic (Ancient Greek "of the earth"), as apparently suggested by Lovecraft himself at the end of his 1923 tale " The Rats in the Walls". The Lovecraft-inspired universe, the Cthulhu Mythos, where it exists with its fellow entities, is named after it.Įtymology, spelling, and pronunciation Lovecraft depicts it as a gigantic entity worshipped by cultists, in the shape of a green octopus, dragon, and a caricature of human form. ![]() Considered a Great Old One within the pantheon of Lovecraftian cosmic entities, this creature has since been featured in numerous popular culture references. It was first introduced in his short story " The Call of Cthulhu", published by the American pulp magazine Weird Tales in 1928. Cthulhu is a cosmic entity created by writer H. ![]() ![]() Through its roots, it exerts control over other trees. To the creatures dwelling in the forest, it offers great kindness. This Pokémon is said to devour anyone daring to ravage the forest. This Pokémon has no Pokédex entries in Let's Go, Pikachu! and Let's Go, Eevee!. It's kind to the Pokémon that reside in its body. Using its roots as a nervous system, it controls the trees in the forest. It will trap people who harm the forest, so they can never leave. In the TCG Main article: Trevenant (TCG) Game data Pokédex entries This Pokémon was unavailable prior to Generation VI. Later, it constricted X, Y, Shauna, Tierno, and Trevor to prevent them from opposing Team Flare's operation to move a dormant Xerneas back to their base. It was first used to stop Korrina and Gurkinn from escaping the Tower of Mastery. Trevenant debuted in Trevenant Pokes, under the ownership of Essentia. Trevenant in Pokémon Adventures Movie adaptations Trevenant spread out thin roots from their feet, connecting to the surrounding trees to control them at will. It traps those who cause harm to the forest and never lets them escape. A Ghost and Grass type, Trevenant is able to control trees. Trevenant debuted in Diancie and the Cocoon of Destruction.Ī Trevenant appeared as an image in A Performance Pop Quiz!.Ī Trevenant appeared in The Winding Path to Greatness!, attacking Ash, Goh, and Allister for disturbing its home forest. It reappeared in a flashback in Pikachu's Exciting Adventure!. When Ash returned to the present, Elder was revealed to have passed away. Afterwards, Elder rewarded Ash with a Firium Z. Ash and a young Professor Kukui freed the Cutiefly and used their Torracat and Litten, respectively, to warm up some of the Cutiefly. Elder kept sneezing after getting a flock of Cutiefly stuck in its leaves. Three Trevenant appeared in A Timeless Encounter!, with two of them being normal and the third being a Totem Pokémon nicknamed Elder. ![]() It noticed the fight between Meowth, Chespin, and a Torchic over a Pecha Berry. It wasn't malicious, though: it only wanted help rescuing its friends Bonsly and Sudowoodo, who had been trapped by Team Rocket.Ī Trevenant appeared in Pikachu and the Pokémon Music Squad. Trevenant made its main series debut in Forging Forest Friendships!, where it kidnapped Ash. Trevenant and its pre-evolved form Phantump are the only known Pokémon capable of learning the move Forest's Curse.Ī deceased Trevenant in the anime Major appearances It is even believed that Trevenant has consumed people, although it is unclear whether this is fact or rumor. Trevenant hates Fire-type Pokémon, so lumberjacks usually bring them to repel it. However, it is very kind to forest-dwelling creatures and Pokémon that reside in its body. It uses this ability to trap people who harm its forest and will curse people who cut down trees. Trevenant can control other trees by using its roots as a nervous system. Instead of legs, it has six roots similar to a spider's legs. Around its wrists are cuffs of green leaves and it has three claw-like fingers on each hand. It has two arms with gnarled branches similar to its horns on the elbows. On top of its head is a cluster of green leaves. There is a wavy, horn-like branch on either side of its head, both dotted with small, green leaves, and a smaller branch on its forehead. Its shadowy black body is visible through gaps in the tree, and a single, red eye is visible through a hole near the top. ![]() Trevenant is a ghostly Pokémon resembling a slender brown tree. 5.5.6 By transfer from another generation.Pokémon Brilliant Diamond and Shining Pearl. ![]() ![]() Laboratory technicians will look for traces of the virus genetic material in the sample to diagnose an active COVID-19 infection. The sample is then taken to a laboratory to be analyzed. During a PCR test, a health care provider will use a cotton swab to collect a mucus sample from the patient’s nose or throat. The PCR test is the gold standard of coronavirus testing. According to the Journal of Clinical Microbiology, most COVID-19 diagnostics tests use the polymerase chain reaction (PCR) method to identify an active infection. The COVID-19 diagnostics test can help determine if someone has an active coronavirus infection by looking for the genetic material or specific proteins on the surface of the virus. If someone is feeling unwell, their health care provider will ask them to take a COVID-19 diagnostics test. The diagnostics test, on the other hand, can help determine whether an individual is currently infected with the coronavirus. The antibody test is used to determine if a person was ever exposed to COVID-19 by looking for coronavirus antibodies in the blood. The FDA has approved 2 different types of coronavirus tests: COVID-19 diagnostics and antibody test.Īlthough both tests help identify the presence of COVID-19, they are used for different purposes. COVID-19 tests can help people determine whether they have been infected with the virus so they can self-isolate in order to mitigate the further spread of the pandemic. If a pharmacist suspects someone has contracted the coronavirus, they will advise getting tested as soon as possible and to take measures that prevent the spread of COVID-19.ĬOVID-19 testing is essential to prevent the highly contagious disease from spiraling further out of control. Individuals can discuss their symptoms with a licensed pharmacist over the phone to help distinguish between COVID-19, the common cold, allergies, and the seasonal flu. Pharmacists are among the most accessible health care practitioners you can contact for an initial consultation and early detection of the disease. Individuals should consult with a health care provider to seek guidance for managing their condition right away. Symptoms associated with COVID-19, such as a fever, difficulty breathing, and loss of taste and smell, are not to be taken lightly. ![]() According to the Centers for Disease Control and Prevention (CDC), tens of thousands of Americans still contract the novel coronavirus disease every day. Part of the new normal since early 2020, the COVID-19 pandemic is still raging across the country. But is this testing method quicker and safer and, more importantly, does it work?īelow is an examination of what it’s like to get a drive-through COVID-19 test as well as the different testing options available. ![]() People can now get a COVID-19 test from their car in the same way that you would order fast food. Widespread testing options for coronavirus disease 2019 (COVID-19) are still going through some growing pains, but drive-up testing sites are springing up more and more. ![]() ![]() ![]() Returning to the above, Judith Butler says that with sex and gender the same thing happens: by naming a person "man" or "woman", even before birth, what happens is not a verification but an accomplishment (in this gender case). According to the context in which they are stated, all of them can change the situation, attitudes, emotions, and even identity and / or the behavior of the subjects. Another example is the commitment that entails those statements formulated as a promise, a bet or an apology. One of the classic examples is that of pronouncing affirmatively before a marriage: saying 'yes I want' in the setting of a wedding implies an act beyond a verification, insofar as it has effects at the individual, relational, political, etc. On the one hand there are declarative statements, and on the other hand there are realizing or performative statements.Īustin argues that, far from the only task of issuing a statement is to make known the truth or falsity of a fact (note) There are statements that can have another function: Beyond describing things, these statements do things. įor the latter there is an important distinction between the different types of statements we use when communicating. To develop the theory of performativity and explain how it is that the staging of the genre ends up giving shape to the same genre, Butler retakes the theory of speech acts of the philosopher and linguist John Austin. ![]() Performativity in the theory of speech acts of Austin You may be interested: "The feminist theory of Simone de Beauvoir: what is woman?".And, finally, it defines gender not as an attribution of man or woman, but as a mise-en-scène (a performance) that can be as diverse as identities are. In his studies he returns from the works of Simone de Beauvoir, Witting and Rubin, to the critical theories of Michel Foucault, Lacan and Derrida, going through different philosophers and feminists.Īt the same time it establishes important critiques to the theories of feminism that had settled in binary and heterosexual gender models. ![]() The question is not so much about the type of identities prescribed by patriarchy, but through what power mechanisms we end up clinging to these identities, and how this is a way to keep us safe from exclusion, rejection or marginalization ( ibid).Īmong these questions emerge the proposals of Judith Butler, who has been one of the central theorists of contemporary feminism. These were "universal truths" because these sex-gender dimorphisms have historically established reference models to define us in one way or another (and in a way that is apparently stable, unquestionable and unique).Īt this time, a part of feminism begins to focus on the analysis of the "mechanisms of power", which are the coercive forms that are presented to us during socialization, and that allow us to cling defensively to a specific identity (Velasco, 2009). In this same framework, the "universal truths" of Western society are strongly questioned among them the binary logic of understanding bodies and sexual difference: woman / man and its cultural correlate: male / female. In the framework of "postmodernity" it becomes relevant the break with traditional ways of understanding identity, who used to present it as something fixed and stable. The contemporary context of feminist theories Related article: "Margaret Mead's gender theory".We will see below what is Butler's theory of gender performativity and what are some of its repercussions at a theoretical and political level. This has represented one of the most relevant and controversial works of the end of the century in social sciences as well as in philosophy, politics and activism. Broadly suggests that, in the dominant binary system, the genre is created through a series of acts deployed through categories such as "man" or "woman". Through this theory, he questions in an important way the apparent naturalness of the binary gender / gender system and analyzes its effects in terms of power. The theory of gender performativity of the American philosopher Judith Butler was proposed in the 1990s under the context of contemporary feminist theories and movements. ![]() ![]() ![]() Surgery was performed in lateral position, with the left side up [ Video 1 After discussion at the multidisciplinary skull base tumor board, it was decided to schedule her for a suboccipital craniectomy to remove the exostosis on the lower aspect of the internal auditory canal. Semicircular canals, vestibule, cochlea, and ossicles appeared intact. Thin-cut temporal bone computed tomography (CT) and magnetic resonance imaging (MRI) revealed an asymmetric narrowing of the left porus acousticus due to a bony overgrowth at the anterior inferior wall of the left internal auditory canal. She was otherwise intact on neurological examination. Past medical history was notable for thoracic outlet syndrome. These symptoms were significantly impacting her quality of life. Audiometric testing revealed minimal, bilateral low-frequency hearing loss, and videonystagmography demonstrated a 67% reduced vestibular response in the left ear. In addition, she experienced dizziness triggered on sitting up and physical activity. CLINICAL PRESENTATIONĪ 19-year-old female presented to a Neurotologic colleague with a several-month history of discomfort of the left ear that was exacerbated on left lateral gaze. Thus, the purpose of this report is to describe the clinical presentation, including signs and symptoms, surgical approach, and postsurgical outcome in a patient who was treated at our institution with unilateral exostosis of the internal auditory canal. Symptoms include decreased hearing, tinnitus, and vertigo, which can be disabling. Despite their rarity, when they occur, exostoses of the internal auditory canal can present with severe symptoms related to compression of the cranial nerve seven and eight complex. They are less common than exostoses of the external auditory canal, which are readily encountered in standard otolaryngology clinics around the United States. Not to be confused with osteomas of the external auditory canal, which are slow- growing tumors that arise from the tympano-squamous suture, exostoses of the internal auditory canal are broad-based elevations found anywhere in the tympanic bone. Keywords: Exostoses, exostosis, hearing loss, internal auditory canal, osteoma, vertigoĮxostoses of the internal auditory canal are rare, and sometimes seen only on postmortem examinations. Severe cases can be treated successfully with surgery with minimal or no complications and excellent outcome. Imaging, particularly with thin-cut computed tomography, is invaluable in making the correct diagnosis. She experienced complete resolution of symptoms.Ĭonclusions:Exostoses of the internal auditory canal, although rare, can present with severe symptoms of dizziness, hearing loss, and vestibular hypofunction based on the extent of cranial nerve compression. After extensive counseling, the patient elected to undergo a suboccipital craniectomy to remove the internal auditory canal exostosis. She underwent extensive evaluation including audiometric testing, videonystagmography, and neuroimaging, which confirmed left auditory and vestibular hypofunction and compression of the contents of the internal auditory canal from the exostosis. The purpose of this case report is to discuss the presentation and outcomes in a patient who presented with this disorder.Ĭase Description:A 19-year-old female presented to the neurotologist with left ear discomfort, pain with left lateral gaze, and dizziness. Background:Exostoses of the internal auditory canal is a rare finding that may present with disabling symptoms of dizziness, hearing loss, and vestibular dysfunction based on the extent of cranial nerve compression. ![]() ![]() ![]() If you’re looking for a bigger, harder and full sized crossword, we also put all the answers for NYT Crossword Here, that could help you to solve them and If you ever have any problem with solutions or anything else, feel free to ask us in the comments. New York times newspaper’s website now includes various games like Crossword, mini Crosswords, spelling bee, sudoku, etc., you can play part of them for free and to play the rest, you’ve to pay for subscribe. who brought a criminal case against Trump crossword clue NYTĪlready finished today’s mini crossword? So, check this link for coming days puzzles : NY Times Mini Crossword Answers Food News See Starbucks's Summer Cups and Tumblers For 2023 Starbucks Celebrates Summer With New Iridescent Cold Cups and Cotton Candy Tumblers by Chanel Vargas Image Source. “The Merry _ of Windsor” (Shakespeare play) crossword clue NYT.Land between England and Ireland crossword clue NYT.Top part of an ocean swell crossword clue NYT.The coffee chain dropped a new line of Halloween cups for 2022 on Sept. 50 Bucket List Ideas For a Summer Trip to New Brunswick. NEW Starbucks 2022 Core Silver Metallic & Black Stainless Steel Venti Tumbler,325 milliliter. FREE Stampede Breakfast featuring Starbucks Coffee, YYC Princess, Calgary Public Library. Having a refill tumbler means you’re granted one free Grande Brewed Coffee or Tea, hot or iced, every day from Jan. Starbucks Company Cold-To-Go Cup Accessory Lid Straw Alternative for Venti & Grande Tumbler. ![]() If you want some other answer clues, check : NYT Mini JAnswers Starbucks knows how to do spooky SZN right with new merch, of course. How To Use Starbucks’ January 2023 Refill Tumbler. ![]() ![]() ![]() I don’t have to worry about where the trucks are parked.Ambitious Los Angeles reporter Alison Scott has just been given an on-air role with E! and lives in the guest house of her sister Debbie's family. I work on the scripts and I work on the edit, but when everything is coming together on set, I’m available for them to call me to ask questions, or they may email me a scene if they think something’s going weird, but it’s better because I stay home, and I have fresh eyes when they need them. He always said that The Larry Sanders Show was about people who love each other but show business got in the way, and I’d never thought about my work in those terms before.”įor those wondering how involved busy guy Judd Apatow is with Lena Dunham’s HBO series Girls, which he produces: “I don’t go to the set of Girls. Seth Rogen was a big proponent of that when I first met him he wanted people to talk in our movies the way they talk in life, no matter how rough that got.Garry Shandling, when I worked on The Larry Sanders Show, taught me more than anybody about how all stories are about obstacles to love. Later, Clerks and Swingers made me realize that people I knew could be in movies-our lives could be represented truthfully. ![]() I’m kind of like Paul Reiser.” I could see how my life could fit into that kind of a movie. Diner might have been one of the most influential movies on me when I was young, because I thought, “Oh, I know those guys. I loved his use of loose performance and some improvisation. So, maybe we’ll do this every seven years.”Īpatow also discusses the filmmakers who influenced him to discover his improvisation-filled, realistic style: “when I started paying attention to movies, I discovered Barry Levinson. I’m a big fan of the Michael Apted Up series. I want to know what is happening with them. What a daring, fantastic thing to do!’ So those types of leaps were something I always enjoyed, because I fall in love with characters and I don’t want them to go away. For years, I watched Lou Grant and thought, ‘Oh my god, there was a sitcom and now there’s an hour-long drama about the newspaper business starring Lou Grant from the sitcom. I thought, “Yes, you can do a legitimate movie that’s about someone you met in a different film,” and when I told Universal, they didn’t think I was insane for thinking this would be an interesting exploration, just like Rhoda was an interesting exploration after The Mary Tyler Moore Show…I remember when I was a kid, there would always be spinoffs of sitcoms, and I loved it. Pineapple Express came out of an idea I had when I was watching True Romance. I just thought the Brad Pitt character was so funny he’s a mess, he’s on drugs and suddenly people are trying to kill him, and I thought, “I want to watch a whole movie where this guy’s trying to get away from killers but it’s really hard because he’s high.” And after Nick Stoller and Jason Segel made Forgetting Sarah Marshall, I thought it was a fantastic idea to do a movie about Russell Brand’s character, which became Get Him to the Greek. I like characters in certain movies and I wish they had their own, stand-alone movies. He tells the story of how he came up with the idea: “I wish more people made movies like this. This isn’t the first time Apatow has made a spin-off movie (his last was Get Him to the Greek off of Forgetting Sarah Marshall). Hit the jump for more highlights from Film Comment’s Apatow interview. They’re a fabricated, exaggerated version of Leslie and myself at two different ages.” They were always meant to be the future for them, and in a lot of ways in Knocked Up, Ben and Allison and Pete and Debbie are meant to be the same couple. But when I was conceiving the movie, my interest wasn’t in what happened to Ben and Allison, because Pete and Debbie in a way are Ben and Allison. I shot a version where Pete talks about how Ben and Allison live in Atlanta where she works for CNN. Apatow explains: “I shot some stuff, in case the audience demanded to know. Rudd, Mann, and the kids play the same characters, and Jason Segel and Charlyne Yi also reprise their roles from Knocked Up, but they don’t make any references to their relationships with Rudd and Mann’s characters and there’s only one quick line referring to Knocked Up. Apatow explains in the interview, though, that the new movie contains no references to the previous one. Judd Apatow gave a nice long interview to Film Comment today in advance of his new movie This is 40, which is being billed as a “sort of sequel” to Knocked Up, following Paul Rudd and Leslie Mann’s characters Pete and Debbie. ![]() ![]() With a very sharp knife or a vegetable peeler, shave the chunk of Parmesan into large shards and arrange them on top of the arugula. Pile some arugula on top of each hot chicken breast. Pour enough dressing on the arugula to moisten. In a 1-cup glass measure, whisk together the 1/4 cup lemon juice, 1/2 cup olive oil, 1/2 teaspoon salt, and 1/4 teaspoon pepper. Add more butter and oil and cook the rest of the chicken breasts. Heat 1 tablespoon of butter and 1 tablespoon of olive oil in a large sauté pan and cook 2 or 3 chicken breasts on medium-low heat for 2 to 3 minutes on each side, until cooked through. You can use either a meat mallet or a rolling pin.Ĭoat the chicken breasts on both sides with the prepared flour mixture, then dip both sides into the egg mixture and dredge both sides in the bread-crumb mixture, pressing lightly. Pound the chicken breasts between two sheets of parchment paper until they are 1/4 inch thick. Ingredients: 2 tbsp olive oil 2 tsp minced fresh thyme 2 garlic cloves, minced 1 tsp lemon zest 1/4 tsp freshly ground black pepper 1/4 tsp salt 4 (6-oz). ![]() On a third plate, combine the bread crumbs, the 1/2 cup grated Parmesan cheese, the lemon zest and thyme, and set aside. What to serve the lemon chicken with For fewer carbs, serve it with some steamed broccoli, brussels sprouts, or asparagus on the side. ![]() On a second plate, beat the eggs with 1 tablespoon of water. STEP 2 Use your hand to loosen the chicken skin away from the breast, then push most of the butter mix into the gap. Mix everything together with some seasoning and set aside. Combine the flour, 1 teaspoon salt, and 1/2 teaspoon pepper on a dinner plate. In a small bowl, mash the butter with one-third of the thyme leaves, the mashed garlic and the juice of half a lemon. ![]() |
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